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The ever-standing Sainte-Chapelle through the years

Brief history of Sainte-Chapelle

  • 1241: King Louis IX (Saint Louis) commissions the construction of Sainte-Chapelle to house the Crown of Thorns and other Passion relics.
  • 1248: Sainte-Chapelle is completed and consecrated on April 26 and is designed as a reliquary and royal chapel.
  • 13th–15th century: Sainte-Chapelle serves as a central place of worship for the French monarchy.
  • 1485–1498: A magnificent Flamboyant Gothic rose window, illustrating scenes from the Apocalypse, is added to the western wall during the reign of King Charles VIII.
  • 1789–1799: Sainte-Chapelle suffers significant damage during the French Revolution.
  • 1840–1868: Extensive restoration is undertaken by architects Félix Duban, Jean-Baptiste Lassus, and Eugène Viollet-le-Duc.
  • 1862: Sainte-Chapelle is officially designated a historical monument by the French government, ensuring its protection and preservation.
  • 1945–1960s: After World War II, Sainte-Chapelle undergoes further cleaning and restoration to repair damage caused by pollution and time.
  • 1991: Sainte-Chapelle is included in the Paris Banks of the Seine UNESCO World Heritage Site listing, recognizing its global cultural and historical significance.
  • 2008–2015: The stained glass windows are meticulously cleaned and restored, using modern techniques to enhance their clarity and preserve their vibrant colors.
  • Today: Sainte-Chapelle is one of Paris’s most visited landmarks, drawing millions of tourists annually.

Sainte-Chapelle’s history explained

Through the centuries, Sainte-Chapelle has gone from being a royal chapel housing sacred relics to a national monument celebrated for its artistic and architectural achievements. Its history is a testament to the enduring power of religious devotion, royal symbolism, and the remarkable resilience of historical monuments.

Sainte-Chapelle

Commission and construction

13th century

Sainte-Chapelle was commissioned by King Louis IX (later canonized as Saint Louis) in 1241, a deeply religious monarch whose devotion to Christianity was integral to his reign. The primary purpose of the chapel was to house the Crown of Thorns, fragments of the True Cross, and other sacred relics associated with the Passion of Christ. 

The chapel’s construction began in 1241 and was completed in just seven years, a remarkably short period for such an elaborate Gothic structure. Its design was entrusted to the architect Pierre de Montreuil and followed the Rayonnant Gothic style, which focused on creating height, light, and openness in architecture.

Sainte Chapelle interior with stained glass windows, Paris, France.

Royal and religious symbolism

14th–17th century

Sainte-Chapelle was a religious space and a symbol of the monarchy's divine right to rule. The relics housed within the chapel were intended to link the French kings with the divine, reinforcing the idea that the king’s power came directly from God. The relics also served as a pilgrimage destination, attracting devotees from across Europe who hoped to witness these sacred objects.

Over the years, Sainte-Chapelle became a central place of worship for the French monarchy. It was during this period that many of the chapel’s most notable features, including the elaborate stained glass windows, were installed. These windows depicted scenes from the Bible, creating a visual narrative of Christian history.

Sainte Chapelle Entrance Paris

The French Revolution

18th century

Sainte-Chapelle faced significant upheaval during the French Revolution. As revolutionary fervor spread, the chapel was repurposed and secularized. The sacred relics were removed or scattered, with the Crown of Thorns being relocated to Notre-Dame Cathedral. The chapel was also used to store government archives and documents, a far cry from its original religious purpose. Despite the damage it suffered during this time, Sainte-Chapelle survived largely intact, and its architectural integrity remained largely undisturbed.

Sainte Chapelle stained glass windows in Paris showcasing intricate biblical scenes.

Restoration and preservation

19th century

After the French Revolution, Sainte-Chapelle fell into neglect for a time, but its significance was soon recognized again. In the mid-19th century, extensive restoration work was undertaken by the architect Eugène Viollet-le-Duc and his team. The chapel underwent thorough cleaning, repairs, and restoration, including the stained glass windows, which were carefully cleaned and restored to their original vibrancy.

Stained glass windows inside Sainte Chapelle, Paris, showcasing biblical scenes.

Post World War

20th century

Sainte-Chapelle continued to be maintained and preserved throughout the 20th century. During and after World War II, the chapel was cleaned and restored to mitigate the effects of time, pollution, and neglect. Modern preservation efforts, particularly during the late 20th century, ensured that the chapel remained a well-preserved example of Rayonnant Gothic architecture.

In 1991, Sainte-Chapelle was inscribed as part of the UNESCO World Heritage Site designation for the Paris Banks of the Seine, further solidifying its importance as a cultural and historical monument.

Lower Chapels in Sainte Chapelle with stained glass windows, Paris, France.

Sainte-Chapelle today

Today, its stained glass windows, which depict over 1,100 biblical scenes, remain a defining feature of the chapel, drawing thousands of visitors each year. The chapel now serves as a museum and cultural venue, hosting classical concerts and offering an incredible insight into medieval craftsmanship and religious history.

Crown of Thorns

Notre Dame interior with Crown of Thorns relic displayed in Paris, France.

The Crown of Thorns is a significant Christian relic, believed to be the actual crown placed on Jesus Christ’s head during his crucifixion. According to the Gospels, Roman soldiers mocked Jesus by dressing him in a royal robe and placing a crown of thorns on his head, symbolizing his claim to kingship in a cruel and ironic gesture.

The relic is considered one of the most sacred Christian objects, representing Christ’s suffering and sacrifice. It was preserved by early Christians and eventually came into the possession of King Louis IX of France in the 13th century. Louis brought the crown to Paris, where it was placed in Sainte-Chapelle.

Today, the Crown of Thorns is stored at the Louvre Museum, after being rescued from the Notre-Dame Cathedral during the 2019 fire. It continues to be an important symbol of Christian faith and is venerated by believers around the world, particularly during Good Friday observances.

The legacy of King Louis IX

  • King Louis IX, also known as Saint Louis, played a pivotal role in the creation of Sainte-Chapelle. Reigning from 1226 until his death in 1270, Louis IX was deeply devout and passionate about religious relics. His strong desire to bring the Crown of Thorns to France, and to establish a fitting sanctuary for it, was the driving force behind the chapel’s creation.
  • In 1239, Louis IX acquired the Crown of Thorns, along with several other holy relics, including pieces of the True Cross. To house these priceless treasures, he commissioned the construction of Sainte-Chapelle, which was designed to serve both as a royal chapel for the French monarchy and as a shrine for these revered relics.
  • The chapel’s location was carefully chosen within the Royal Palace of the Île de la Cité, providing a central and symbolic space for the king’s devotion.
  • The design of Sainte-Chapelle was a masterpiece of Gothic architecture. Louis IX wanted the chapel to reflect the heavenly realm and serve as a fitting venue for the relics. The upper chapel, with its soaring stained glass windows and magnificent architecture, was specifically designed to elevate the sacred relics and create an ethereal, light-filled space.
  • The chapel was consecrated in 1248, and while its religious significance was paramount, it also became a symbol of Louis IX’s monarchical power and his devotion to both his faith and the monarchy.
  • Sainte-Chapelle continues to stand today as a testament to his legacy, not only as a devout king but as a patron of art and architecture. It remains one of the most remarkable Gothic structures in the world, and the Crown of Thorns continues to be a symbol of his reign and piety.

Frequently asked questions about Sainte-Chapelle’s history

Why was Sainte-Chapelle specifically built to house relics?

King Louis IX believed that housing these relics in a dedicated and grand chapel would strengthen the monarchy’s divine right and affirm France’s importance in Christianity.

What made Sainte-Chapelle a symbol of royal power in medieval France?

The chapel was a royal project intended to underscore King Louis IX’s piety and divine connection. The sacred relics housed within the chapel were believed to grant divine favor to the French monarchy, linking the king to God.

Did Sainte-Chapelle always have its iconic stained glass windows?

Yes, the chapel was designed with a strong emphasis on its stained glass windows, which were completed during its initial construction in the 13th century. Over 1,100 scenes are depicted across 15 windows, creating a striking visual effect that draws visitors to this day.

What is the connection between the French Revolution and the preservation of Sainte-Chapelle?

The French Revolution triggered the secularization of many religious buildings, but Sainte-Chapelle’s survival was somewhat fortunate. It was repurposed as a storage facility, which kept it intact physically. The chapel’s ability to survive this turbulent period helped preserve it as a vital piece of France’s national heritage.

How did Sainte-Chapelle survive destruction during the Revolution?

Although the chapel was repurposed and its relics removed, Sainte-Chapelle survived the Revolutionary period largely due to its status as part of the royal palace complex. Sainte-Chapelle’s structural resilience and its relatively small size helped it evade complete demolition, allowing it to be preserved for future generations.